Harry Potter is Jewish propaganda. Like all propaganda, the ideas contained in Joanne Rowling’s “Harry Potter” world are deliberately spread and promoted to help an organization’s, or group’s – in this case, like in most cases in which propaganda is used, the Jews’ – plans for the domination as well as exploitation of the masses.
From an intellectual point of view (yet also keeping in mind that most of the “intellectual” or “scholarly” books are written, published and promoted by the same race/species known as the Jews), the Harry Potter books are rubbish. And as Jewish propaganda, the Harry Potter books were produced with the intention of appealing to the emotions of the compliant masses – the same people who believe that the fact that Rowling’s books made her a fortune in sales qualifies her, not only as an erudite thinker of great intellectual import, but also a moral philosopher and the foremost representative of the time.
The publisher for the American editions of the Harry Potter series is Arthur A. Levine Books, which specializes in fictional and “non-fictional” propaganda for young readers. The imprint was founded at Scholastic in 1996 by the Jew Arthur Levine in New York City. A graduate of Brown University, and later the Radcliffe Publishing Course, the Jew Levine landed his first job in publishing at G.P. Putnam’s Sons. After a stint at Dial as senior editor, he worked as editor-in-chief at Putnam’s and at Alfred A. Knopf Books for Young Readers. In 1996 he joined Scholastic as publisher of his own imprint, Arthur A. Levine Books.
The Jew Arthur Levine, founder of Arthur A. Levine books, publisher of the Harry Potter books
Throughout his career, Levine edited and championed novelists approved by Jews from around the English-speaking world – including the Jew Rowling. He is also a leading publisher of books-in-translation, introducing American children to authors of foreign languages.
Another major Jew involved in the Harry Potter franchise is Neil Blair. Blair is Rowling’s agent and is the Chairman of Pottermore, the official digital publisher of Harry Potter material.
The Jew Neil Blair, Chairman of Pottermore and Rowling’s literary agent
The plot of Harry Potter is, as would be expected, saturated with Jewish mind-poison and degeneracy.
I won’t go through the books again searching for particular examples, but will state that Rowling, a Jew, wrote Harry Potter to confuse the minds of youth and to make them more susceptible to Jewish propaganda.
Warner Bros., the producer and distributor of the Harry Potter movies, took considerable notice of Rowling’s desires and thoughts when drafting her contract for the series. Rowling assisted in the writing process, ensuring that his scripts did not contradict future books in the series. Rowling had gained some creative control on the films, reviewing all the scripts.
That the movies were directed and acted by Jews is more openly acknowledged and accessible in evidence than is the Jewish hand behind the Harry Potter books. So, in this post I will not give the movies as much attention as the books. (I have written a subsequent post on the Harry Potter movies in this article.)
Many Jews have described the Harry Potter books as “a force for good”. In 2005, a conference at Reading University debated whether Harry Potter had a “yiddishe neshama”, or Jewish soul. Jonathan Sacks, the chief rabbi of the Commonwealth of Nations, claims that, in “a society in which adolescents are precociously adult, and adults are permanently adolescent”, Harry Potter has “reclaimed the kingdom of childhood, proving that you don’t have to betray to enchant”.
When asked about the politics and message in Harry Potter, the Jew Rowling explained, “I wanted Harry to leave our world and find exactly the same problems in the wizarding world. So you have the intent to impose a hierarchy, you have bigotry, and this notion of purity, which is this great fallacy, but it crops up all over the world. People like to think themselves superior and that if they can pride themselves in nothing else they can pride themselves on perceived purity. So yeah that follows a parallel [to Nazism]. I think you can see in the Ministry even before it’s taken over, there are parallels to regimes we all know and love.” She also stated, “You should question authority and you should not assume that the establishment or the press tells you all of the truth.”
The Wall Street Journal compared Neville Chamberlain to Rowling’s Cornelius Fudge, stating both were eager to help their constituents look the other way to avoid war. “Throughout the ’30s, Chamberlain, fearing that Churchill was out for his job, conducted a campaign against his fellow Tory. Chamberlain denied the existence of the German menace and ridiculed Churchill as a ‘warmonger’. He used the London Times – the government’s house organ – to attack Churchill and suppress dispatches from abroad about the Nazis that would have vindicated him.” Rowling confirmed that Chamberlain was her inspiration for Fudge. She also told the newspaper The Volkskrant that Voldemort was “a sort of Hitler”, and that her decision to draw parallels with Nazism in the books was immediate.
Of course, the Jews are eager to note the criticism of “racism” in Jew Rowling’s texts. The Jewish newspaper People’s Weekly World noted parallels between the historical records of Rowling’s admitted heroine Jessica Mitford’s fight against Nazism – a movement the Jews claim that other members of Mitford’s aristocratic family notoriously supported – with similar conflicts inside the Black family in Harry Potter. The Mitford family, like most of the noble or aristocratic families of England since the 1800s, was possibly of Jewish origins. David Freeman-Mitford was Jessica’s father. David is a plainly Jewish name. And it can be assumed that “Freeman” is an alternative spelling of the Jewish “Freedman” or “Friedman”. David Mitford’s father, Algernon Bertram Freeman-Mitford, was a diplomat and traveller who held office in the Jew Disraeli’s ministry from 1874 to 1880.
When asked in a post-“Deathly Hallows” web chat about Hermione’s future, Rowling said, “Hermione began her post-Hogwarts career at the Department for the Regulation and Control of Magical Creatures where she was instrumental in greatly improving life for house-elves and their ilk. She then moved to the Dept. of Magical Law Enforcement where she was a progressive voice who ensured the eradication of oppressive, pro-pure-blood laws.”
Rowling stated on her website that the Harry Potter phrases “pure-blood”, “half-blood” and “Muggle-born” compared to “some of the real charts the Nazis used. I saw one in the Holocaust Museum in Washington when I had already devised the ‘pure-blood’, ‘half-blood’ and ‘Muggle-born’ definitions, and was chilled to see that the Nazis used precisely the same warped logic as the Death Eaters.” Daniel Radcliffe, who portrayed Harry Potter in the films, is a half-Jew. That he would be chosen to represent “half-blood” Harry Potter is of little surprise.
Christopher Hitchens noted in The New York Times that the lightning bolt – the shape of the scar which Harry received as a result of Voldemort’s curse, now considered to be emblematic of the series – is also the symbol of Oswald Mosley’s British Union of Fascists, a prominent group of Nazi sympathizers during the 1930s and 1940s. Oswald Mosley was a secret Jew. His surname, Mosley, is a contraction of the Jewish names “Moses” and “Levy”.
The Jew Mosley addressing supporters in Victoria Park, London, on June 7, 1936
Rowling mentioned in an article that Mosley was married to Diana Mitford (Jew?), sister of her heroine, Jessica Mitford. Jessica (which is a popular Jewish name), whom Rowling named her daughter after, never forgave Diana’s Nazi sympathies. Rowling also noted that Mitford’s other sister Unity, to whom Jessica was closest in youth, became an arch-fascist and favorite of Hitler’s.
In a New York event hosted by Jewish MSNBC news anchor Keith Olbermann, Rowling confirmed the intentional similarities between Voldemort and Hitler.
Many have argued that the massive popularity of the Harry Potter books has helped to make children more inclined to read books. But what kinds of books do the people who read Harry Potter as children read when they are adults? Almost always, these are books written by Jews, with the intention of being read and studied for the purpose of Jewish indoctrination. There was a favorable review of Harry Potter by Stephen King, who stated that children who read the Harry Potter series at 11 or 12 will go on to read books by the likes of authors like himself. He was quite right. When you read Harry Potter, you are trained by the Jews, for the Jews, to read and support Jewish books.
Harry Potter was written with the intention of leading the youth into a more exposed position for the Jews’ plans of indoctrination.
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